Artomology photo tips: camera straps

Artomology photo tips for close up and macro photography by Jane Davenport

customised camera strapsGet rid of that ugly camera strap that your camera came with. Especially the type that have your cameras brand on it! They may say “Canon/Nikon/etc Digital Camera” but they also shout “oooh, look, person with expensive, new camera. Come steal me”.
I have tried the techno, load bearing neoprene-type straps, but the tend to bounce around and I found them more annoying than shoulder saving.

A few years ago, I saw a young lady with a GORGEOUS camera strap. My antennae went wild! She directed me to Etsy.. and a search later, I had my own customised camera straps being made and sent from the USA. Ladybirds on one (of course), and red with white polka dots on the other – with a ribbon corsage! I got mine from shabby straps.

Go to Etsy here and search for ‘Camera Strap dslr’. Or you can opt for a padded strap cover. I noticed at Sewtamz you can have your initials embroidered on the straps. You can also get a strap for your point-and-shoot camera. Lots of delectable delights!

Funky retro flower CAMERA STRAP SLIP COVER with hot pink minky optional LENS CAP POCKET Camera Strap Cover ADD ON - PERSONALIZATION Monogrammed INITIALS FOR CANON NIKON CAMERA STRAP COVER Lens Cap pocket holder Add-on Limited Edition Happy Little Camera Strap Slip Cover Color Me Happy Colorway

The added bonus of this splash of individuality, is that your camera is very easily recognisable, and less likely to disappear in a crowded situation. Have fun!

Artomology Photo tips – top 10 photography tools ( part 2!)

Artomology photo tips for close up and macro photography by Jane Davenport

Here is the continuation of my essential kit:

5. little flash – Canon Speedlite 270EX
This small and light flash is a cracker!  If I need to pop just a little bit more light into some shadowy recess of the universe, I can. It has a diffuser and I can angle the head to bounce the light from another surface and on to my subject. I wish my fancy macro flashes were more portable, like this one. I usually only take them with me if I have a string of sherpas to help hump them up the mountain…! I am hoping that this is the next area to get some technological advance. Smaller, lighter flash technology is needed for naughty, hand-held photogs like me!

6. Cleaning cloths:
i have a nifty souvenir microfibre glass cleaning cloth with a map of New York on it for the back of the camera and a little pack of lens cleaning tissues.

8. Water in  spray bottle:
i can drink the water, spray it on my face if it’s hot and spray it on a surface/ flower to deepen its colour if I want. Sometimes spraying a beetle will also prevent it from flying off as they like their wings to be dry before heading off into the wild blue yonder!

7. Headache pills:
Looking through a little viewfinder with one eye open and the other scrunched up for hours on end and not drinking any water is a sure-fire recipe for massive headache. I often don’t even realise how much pain I am actually in, until I resurface into the real world from hours spent gazing at my magnified view of ladybirds and flowers.  Nurofen has saved me many times!

9. Spare film:
Sandisk Xtreme series IV 16GB card in the camera and 2 x 8GB cards in the bag – just in case…

10. iphone:
I can play music, set a timer ( I lose all sense of time when I have found an engaging bugject), and call in an emergency.

There! my top 10 essentials! Actually there is one last – A good camera bag, but this deserves its own post!

Artomology Photo tips – top 10 photography tools ( part 1!)

Artomology photo tips for close up and macro photography by Jane Davenport

Finally,  the equipment list requested a thousand times!

These are the pieces of kit that I pack most often when I am going on a scouting expedition, to just have some fun and see what I see. So, I am able to roll with the punches and capture whatever magic comes my way, this is what I take:

1. The Camera

I use the Canon EOS system. I have a 5D Mark II digital SLR. What an amazing piece of technology it is. The quality of capture is breathtaking. I can use it in very low-light and deep shadow, tripodless, crank up the ISO and get the shots I am after. What a wonderful art tool. I love it. I adore it. I worship it.  I will drop it like a hot potato when Canon bring out their next marvel of course. I am what the industry refers to as “an early adapter” ;)

Why the 5D ‘Prosumer’ (don’t you HATE that word, I don’t know why marketing people thing we would identify with it…but here I am using it…sigh) model? It has more points of measurement than the cheaper models (but that 7D looks pretty nice…!), and I have found that this makes a HUGE difference to exposure and the low-light/low-noise capabilities are a little photographic miracle. Why not the ‘Pro’ 1 series? Simple, too heavy!

Why Canon? My first camera was a hand-me-down Canon, so that is why I started with that brand. As the photography bug bites deep into your soul, you may start a lovely lense collection like I have, and that pretty much locks you in to a brand of camera. I have used Nikons and Sonys in the past, and would recommend them also.

2. lens 1 – My Canon macro 50mm 2.5  lens:
It is beat up and battered from years of use because I use it like a microscope and poke it at things for the closest possible view, and sometimes my aim is off, and I bump in to things… but I have never damaged the glass though! When I am so close, weird and wonderful things start happening to colour – but I will save that discussion for another time!

3. Lens 2 – Canon 100mm 2.8 Macro:
My new baby. I resisted getting this lens for years because it was the most regularly ‘recommended’ macro lens, and I don’t like being regular! However, even though creeping up on butterflies and dragonflies with the 50mm lead me to develop Hiawatha type skills,  I did miss a lot of shots. So I gave-in and got this Macro lens, so I could stand further away, and still get an ‘up-close’ view. But what I found is that this lens delivers a totally different perspective. I hold the camera and stand differently when I use this lens. The 50mm and 100 mm Macro are not an either, or situation for me. I wear them out equally!

4. Lens 3 – Canon 50 mm 1.8:
I feel as if I am the last person into photography to get one of these lenses. It is light, cheap and offers a light filled view. When I finish with my macro lenses, I will pop the 50mm 1.8 on and photograph the whole scene to get a wider understanding of the environment I am focusing on.

Stay tuned: i will complete my list!

Artomology: Adding scale with the everyday.

The Reference shot : remembering scale

Not every shot I take is aimed at being an aesthetic wonder! Reference shots, which are seldom attractive,  are hugely important for many reasons, and one is scale.

It is actually very hard to remember the correct size of something after the event. In my mind’s eye at least, my subjects bugjects grow in stature! And I am often surprised when I find a beetle or bug that I have previously photographed, at just how small it actually is! My recollections are tampered with because I am looking at my images at many times magnification.

So I find it really helpful to take a reference shot just to indicate the size of my bugject.  A ruler is most accurate, but my phone, hand, sunglasses and toes all make appearances.  If my bugject’s patience allows, I try and get them in the reference shot, but sometimes that is impossible, so in amongst my lovely close-up shots of a butterfly, you will find a random, uncomposed shot of the whole plant it was sitting on. With bigger subjects such as birds, I always try and get a shot of the whole tree, preferably with a person under it, so the scale is recorded.

Reference shots to show the 'scale' of your smaller subjects will prove helpful!

Reference shots to show the 'scale' of your smaller subjects are important and helpful!

I learned this trick from studying my grandfather’s slides. He was a ‘Gentleman Collector’ and fortunate to be able to indulge in a pastime passed down the ancestral line.  As ‘landed gentry’ it was respectable to devote time in naturalist pursuits such as fossil, butterfly and orchid cataloguing, observing and collecting.

Thankfully, rather than killing hordes of animals to display, he used the camera to collect and record the nature around him. Amongst his thousands of his slides and films, there are many of family, but the overwhelming majority of photos portray a passion for wildflowers from the south-west of Western Australia. The slides themselves are not aesthetic wonders, but a determined and loving effort to capture the amazing breadth of variety and detail in his lens’s gaze. What I find most fascinating is that each one has an everyday object, such as a coin, matchbox or match ruler, placed alongside the subject so that the scale can be seen. Without this attention to detail, there really is no way of telling just how tiny these flowers are, unless you look up the size in a reference book!

I blogged earlier in the week about a Giant water bug that I found, and included one  of my reference images, which is a more rarely seen beast than the secretive, mud-dwelling creature! But to show how big the subject bugject was, it needed a reference point, so I used a pen. I certainly won’t be using the image for an Art print, but a wonderful reference accessory.

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